We would like to thank our friends at Weissman, Nowack, Curry & Wilco Attorneys at Law for providing us with this interesting topic & blog post! Please feel free to visit their website http://www.wncwlaw.com/ for more info.
With the number of feature films
and television shows filmed in the Atlanta metropolitan area in the recent
past, Atlanta is quickly earning the nickname the “Hollywood of the
South.” And, as movie and television producers
look for new Atlanta area locations in which to film, they are increasingly
turning to local condominium and homeowner associations to provide an authentic
backdrop to their productions. While the
prospect of having your association featured on the big (or little) screen is
an exciting one, as any Hollywood star knows, having a solid contract in place
before filming begins is key to making sure that your association gets the most
out of its “star” turn. Here are a few
key pointers to keep in mind if Hollywood comes calling for your association:
(1) Contract Scope. As with any contract, it is of utmost
importance that the contract spell out, as specifically as possible, the
parties’ understanding of what the contract covers. With a film contract, this will most likely
be the time period during which the film crew will be on your association’s
property and the areas of the condominium or community that will be used. In order to limit disturbance to community
residents, the Board may wish to consider limiting the filming period to a certain
hours of the day, and prohibit filming in certain areas of the community.
(2) Contract Authority. Film producers may not understand that in a community association context, the association only has such authority to grant use and filming rights to the property located within the association as it is given by its governing documents. For example, while an association may have the right under its governing documents to allow a film crew to film the common areas, it likely does not have the right to allow a film crew to film inside individual units or on the individually owned lots in a subdivision. So, the association should make sure that the contract does not obligate the association to grant the producer rights to use property that the association does not have the right to grant under its governing documents.
(3) Compensation. While the amount of compensation to accept for filming is a business judgment decision for the Board of Directors, it is a good idea to take into consideration in determining compensation any additional costs the association will bear as a result of the contract, including fees for attorney review of the contract.
(4) Insurance. The contract should require that the production company with whom the association is contracting carry adequate general liability insurance in case any accidents occur as a result of the producer’s use of the association property. Your association attorney can advise as to adequate level of insurance.
(5) Indemnity. The production company should agree to indemnify the association for all damages and claims that are caused as a result of the production company and the company’s use of the association property.
(2) Contract Authority. Film producers may not understand that in a community association context, the association only has such authority to grant use and filming rights to the property located within the association as it is given by its governing documents. For example, while an association may have the right under its governing documents to allow a film crew to film the common areas, it likely does not have the right to allow a film crew to film inside individual units or on the individually owned lots in a subdivision. So, the association should make sure that the contract does not obligate the association to grant the producer rights to use property that the association does not have the right to grant under its governing documents.
(3) Compensation. While the amount of compensation to accept for filming is a business judgment decision for the Board of Directors, it is a good idea to take into consideration in determining compensation any additional costs the association will bear as a result of the contract, including fees for attorney review of the contract.
(4) Insurance. The contract should require that the production company with whom the association is contracting carry adequate general liability insurance in case any accidents occur as a result of the producer’s use of the association property. Your association attorney can advise as to adequate level of insurance.
(5) Indemnity. The production company should agree to indemnify the association for all damages and claims that are caused as a result of the production company and the company’s use of the association property.
(6) Damages. The contract should contain a provision
requiring that once filming is completed, the production company restore all
association property to the same condition it existed prior to filming and
compensate the association for any property damaged as a result of the
production company’s use.
The
above are just a few contract tips to keep in mind when negotiating a contract
for your association’s star turn.
However, the tips in this blog do not take the place of an attorney’s
review and do not cover all recommended contract provisions. Community managers and boards should seek
assistance from the association’s legal counsel prior to entering into
contracts to ensure that the association is adequately protected.
About the Author:
Rebecca Drube advises
condominium and homeowner association boards of directors. She counsels
community associations when transitioning from developer to owner control and
regarding day-to-day legal issues, such as review of contracts and drafting and
amending their legal documents. Rebecca also helps association board
members understand their roles as they relate to such responsibilities as
covenant violations, major or repair contracts, and government
compliance. In addition, Rebecca handles representation of community
associations in litigation matters. Rebecca is a member of the State Bar of Georgia and the State Bar of Florida. She is also a member of the Community Associations Institute of Georgia. She regularly authors articles for community association-related publications.